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MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

  • 2021-07-21 ~ 2022-06-06
  • Seoul Gallery 1

Exhibition Overview

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Paradise – BAIK Namsoon
Paradise – BAIK Namsoon
Peony in Hwareongjeon Pavilion – NA Hyeisuk
Peony in Hwareongjeon Pavilion – NA Hyeisuk
Spring Landscape – BYEON Gwansik
Spring Landscape – BYEON Gwansik
Still-Life with Vessels and Plants
Still-Life with Vessels and Plants
Guryong Waterfall of Mt. Kumkang – BYEON Gwansik
Guryong Waterfall of Mt. Kumkang – BYEON Gwansik
A Woman – PARK Rehyun
A Woman – PARK Rehyun
Portrait of an Old Lady – CHAE Yongshin
Portrait of an Old Lady – CHAE Yongshin
A Boy – KIM Chongtai
A Boy – KIM Chongtai
Jacks – CHANG Uc-chin
Jacks – CHANG Uc-chin
Bukhansan – LEE Daiwon
Bukhansan – LEE Daiwon
Self-Portrait – KWON Jinkyu
Self-Portrait – KWON Jinkyu
Woman Pounding Grain – PARK Sookeun
Woman Pounding Grain – PARK Sookeun
Children at Play – PARK Sookeun
Children at Play – PARK Sookeun
Work(1974) – YOO Youngkuk
Work(1974) – YOO Youngkuk
Women and Jars – KIM Whanki
Women and Jars – KIM Whanki
Ferry Boat – CHANG Uc-chin
Ferry Boat – CHANG Uc-chin
Autumn Festival – NAM Kwan
Autumn Festival – NAM Kwan
Composition – LEE Ungno
Composition – LEE Ungno
Shaman – PARK Saengkwang
Shaman – PARK Saengkwang
Yellow Road – CHUN Kyungja
Yellow Road – CHUN Kyungja

Applying the relaxed government quarantine guidelines for Covid-19, the admission policy will be changed and operated as follows from April 14 only for the exhibition "MMCA Lee Kun-hee Collection: Masterpieces of Korean Art"

- (currend) Pre-booking

- (changed) Non-booking, on-site ticked(1 ticket per per person)

※ Ticketing system closed 1 hour before closing


The National Museum of Modern and Contemporary Art, Korea(MMCA) is extending the exhibition period of MMCA Lee Kun-hee Collection: Masterpieces of Korean Art until June 6, 2022.


Ever since its establishment in 1969, the National Museum of Modern and Contemporary Art, Korea has acquired artwork through purchases and donations as it works to contribute to defining Korean art history. The recent donation of the Lee Kun-hee Collection brings the scale of the museum's collection to over 10,000 works of art. Fifty-five percent of those were acquired through donations, which have helped to enrich the collection while overcoming the constraints of a limited acquisition budget.

In terms of its economic and art history value, the collection donated by the family of the late Samsung Chairman Lee Kun-hee could well be called the "donation of the century." It is even more significant for the enormous qualitative and quantitative advancements that it brings for the MMCA collection, and for enabling the artwork to be shared with the public. Its 1,488 works of art run the gamut of 20th century Korean art history, including the periods of the Japanese occupation and the Korean War, and will contribute greatly to filling in existing gaps in the MMCA collection. Encompassing everything from rare and important Korean works of the early 20th century to pieces from overseas, the Lee Kun-hee Collection is distinguished by the variety of its eras and genres, which offer some sense of Lee Kun-hee’s affection for art and his sense of purpose as a collector. It also shows how greatly his collecting history contributed to the activities of contemporary artists and the development of art in general.

The Lee Kun-hee Collection comprises 1,369 Korean artworks and 119 overseas artworks. By genre, it includes 412 paintings, 371 prints, 296 works of Hangukhwa (Korean traditional painting), 161 drawings, 136 craft pieces, and 104 sculptures. Over 320 of the works were produced before the 1950s, while around 860, or 58%, were produced by modern artists – defined as those born before 1930. The collection includes works by Kim Whanki, Park Sookeun, Lee Jungseop, Lee Ungno, Yoo Youngkuk, Kwon Jinkyu, Claude Monet, Camille Pissarro, and many more.

For this exhibition, around 50 representative works have been selected, most of them representing the modern and contemporary eras from the early to mid-20th century, which account for the main part of the Lee Kun-hee Collection. The first ones to be exhibited are masterworks created by artists beloved by Koreans, including the early 20th century works Peach Blossom Spring by Lee Sangbeom and Paradise by Baik Namsoon and the mid-20th century works Women and Jars by Kim Whanki, Bull by Lee Jungseop, and Woman Pounding Grain by Park Sookeun Yellow Road by Chun Kyungja and A Thousand Years Old House by Rhee Seundja. MMCA also plans to underscore the significance of this gift from Lee Kun-hee and his family by administering the Lee Kun-hee Collection as future cultural heritage, creating an opportunity for the Korean public to continue appreciating these artworks in the years ahead.



KIM Whanki’s works ⓒWhanki Foundation·Whanki Museum

LEE Ungno’s works ⓒUngno Lee/ ADAGP, Paris-SACK, Seoul, 2021.

CHUN Kyungja’s works ⓒSeoul Metropolitan Goverment

  • Period
    2021-07-21 ~ 2022-06-06
  • Organized by/Supported by
    MMCA
  • Venue
    Seoul Gallery 1
  • Admission
    0
  • Artist
    BAIK Namsoon, BYEON Gwansik, CHANG Uc-chin, CHUN Kyungja, KIM Whanki, KWON Jinkyu, LEE Daiwon, LEE Jungseop, LEE Sangbeom, LEE Ungno, NA Hyeisuk, PARK Sookeun, RHEE Seundja, YOO Youngkuk, and more
  • Numbers of artworks
    57

Exhibition Image

Audio Guide

#1. Introduction to the Exhibition Welcome! Today, I’ll be your guide to the Lee Kun-hee Collection at MMCA. The artwork in the Lee Kun Hee Collection is a hugely significant donation – what could be seen as the donation of the century in both scale and value in terms of art history. For this exhibition, around 50 representative works of Korean modern and contemporary art were chosen from among the 1,488 works donated to MMCA by the family of the late Samsung Chairman Lee Kun Hee. The selection focuses on masterpieces by artists who are beloved in Korea. The exhibition adopts three main themes: “Adoption and Transformation,” “Shows of Individuality,” and “Setting Down Roots and Seeking New Avenues.” Through these areas, you will have the opportunity to encounter the ways in which Korean art has transformed and developed, along with its new explorations and experiments. So let’s get started!
Introduction to the Exhibition

01.Introduction to the Exhibition