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2016 MMCA Residency Goyang Exhibitions 《Flash:Images Left Behind》

14.Jul.2016 - 27.Jul.2016

  • 2016 MMCA Residency Goyang Exhibitions 《Flash:Images Left Behind》
  • Musquiqui Chihying, <The Camera>, 2016
  • Eva Kietzmann, <Being Berlin>, 2014
  • Marilyn Schneider, <Parallax Plaza>, 2014
  • Damian Siqueiros, <Sacred Performances: a Couple of Rules>, 2009
  • Daniel Stempfer, <Snake Oil>, 2015
  • Takayuki Yamamoto, <New Hell:What Kind of Hell Will We Go To?, Tokyo>, 2014

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2016 MMCA Residency Goyang Exhibitions 《Flash:Images Left Behind》

Musquiqui Chihying, <The Camera>, 2016

Eva Kietzmann, <Being Berlin>, 2014

Marilyn Schneider, <Parallax Plaza>, 2014

Damian Siqueiros, <Sacred Performances: a Couple of Rules>, 2009

Daniel Stempfer, <Snake Oil>, 2015

Takayuki Yamamoto, <New Hell:What Kind of Hell Will We Go To?, Tokyo>, 2014

  • Period 14.Jul.2016 - 27.Jul.2016
  • Venue MMCA Residency Goyang
  • Artists Musquiqui Chihying(Taiwan), Eva Kietzmann(Germany), Marilyn Schneider(Australia), Damian Siqueiros(Canada), Daniel Stempfer(Germany), Takayuki Yamamoto(Japan)
  • Organ
    ized by / Suppo
    rted by
    MMCA
  • Admission       Free Entry

  • Exhibition
    introduction

Flash: Images Left Behind is an exhibition by the MMCA Residency Goyang that introduces six artists from five different countries who have stayed in Korea as resident artists for its International Residency Exchange Program. Since 2005, the MMCA Residency Goyang has collaborated with prestigious institutions in many countries and has assumed the role of a medium in cultural interchanges through this program. As of 2016, the residency is hosting a program to exchange artists with seven institutes from Taiwan, Germany, Japan, Canada, and Australia and support their creative activities.

 

Alluding to a phenomenon that leaves images with the sudden, brief, and intense display of light, "flash" in the exhibition title refers to the effect the six artists with different cultural backgrounds have created while staying at the residency for three months. Despite the short period of time, they have left behind intense meanings, images, and afterimages that are now being expressed through the form of sculpture, photography, video, and installation works. The exhibition is expected to motivate further mutual communication and exchanges among diverse cultures.

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