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Unflattening Screening Series

  • 2020-07-29 ~ 2020-09-20
  • Seoul MMCA Film and Video

Exhibition Overview

Unflattening Screening Series
Kang Sang-woo, A Silk Letter, 2010
Kang Sang-woo, A Silk Letter, 2010
Sangkyu Kim, To Kill Alice, 2017
Sangkyu Kim, To Kill Alice, 2017
Soyoung Kim, Goodbye My Love, North Korea, 2017
Soyoung Kim, Goodbye My Love, North Korea, 2017
Nontawat Numbenchapol, Soil Without Land, 2019
Nontawat Numbenchapol, Soil Without Land, 2019
Deann Borshay Liem, Memory of Forgotten War, 2013
Deann Borshay Liem, Memory of Forgotten War, 2013
Kelvin Kyung Kun Park, Army, 2018
Kelvin Kyung Kun Park, Army, 2018
Yana Ugrekhelidze, Summer Story, 2017
Yana Ugrekhelidze, Summer Story, 2017
Yana Ugrekhelidze, Armed Lullaby, 2019
Yana Ugrekhelidze, Armed Lullaby, 2019
Olga Konskaya, Andrei Nekrasov, Russian Lessons, 2010
Olga Konskaya, Andrei Nekrasov, Russian Lessons, 2010
Waad Al-Kateab, Edward Watts, For Sama, 2019
Waad Al-Kateab, Edward Watts, For Sama, 2019
Lee Young, Troublers, 2015
Lee Young, Troublers, 2015
Bora Lee-Kil, Untold, 2018
Bora Lee-Kil, Untold, 2018
Lee Won-woo, Optigraph, 2017
Lee Won-woo, Optigraph, 2017
Sueun Jung, One Warm Spring Day, 2016
Sueun Jung, One Warm Spring Day, 2016
Sangmee Choo, The Children Gone to Poland, 2018
Sangmee Choo, The Children Gone to Poland, 2018
Chris Marker, Si j'avais quatre dromadaires, 1967
Chris Marker, Si j'avais quatre dromadaires, 1967
Chris Marker, La Jetée, 1962
Chris Marker, La Jetée, 1962
Jae-hee Hong, My Father's emails, 2012
Jae-hee Hong, My Father's emails, 2012

Unflattening Screening Series is a screening program linked to the National Museum of Modern and Contemporary Art's Unflattening exhibition that looks back on the 70th commemoration of the Korean War, which seeks to examine the kind of 'face' the Korean War is remembered by, the traces it has left behind, and its appearance at this point in time.

   

Traces of Memory, presents films in which the current generation that have never experienced war reconstruct the experiences and lives of previous generations through documents, videos, and interviews. Individual and specific characters, who cannot be defined in any single abstract word such as refugees, asylum seekers, veterans, war orphans, prisoners of war, or victims of massacre, appear in the film.

   

Future of the Ruins, looks into not only the trauma of war, but also the social imbalance and strong tension caused by the destructive phase of war, such as the hatred against minorities, excessive governmental authority, and the institutionalization of military culture. The vivid aftermaths of war remind us that wars which have not yet ended still persist around us.

   

Life with Bombs, focuses on those who are leading dangerous lives inside international conflict zones. This bizarre repetition, which is reminiscent of the Korean Peninsula in the 1950s, is even more horrifying because of the reality that the images in front of us are continuing to happen somewhere at the present moment. But like a miracle, people discover moments of beauty even on battlefields, and maintain their powerful will and strength to restore life.

  • Period
    2020-07-29 ~ 2020-09-20
  • Organized by/Supported by
    MMCA
  • Venue
    Seoul MMCA Film and Video
  • Admission
    4,000won (Tickets for all exhibition at MMCA Seoul)
  • Artist
    Chris Marker, Ai Weiwei, Nontawat Numbenchapol, Olga Konskaya, Andrei Nekrasov, Alba Sotorra, Waad al-Kateab, Edward Watts, Yana Ugrekhelidze, Deann Borshay Liem, Ramsay Liem, Kelvin Kyung Kun Park, Sangmee Choo, Soyoung Kim, Kang Sang-woo, Jae-hee Hong, Sueun Jung, Lee-Kil Bora, Kim Sang-kyu, Lee Young, Lee Won-woo
  • Numbers of artworks
    20