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Body+Act

  • 2016-07-27 ~ 2016-08-07
  • Seoul MMCA Film and Video

Exhibition Overview

Body+Act
Being and Doing
Being and Doing
Being and Doing
Being and Doing
Journeys from Berlin/1971
Journeys from Berlin/1971
Journeys from Berlin/1971
Journeys from Berlin/1971
Feelings Are  Facts: The Life of Yvonne Rainer
Feelings Are Facts: The Life of Yvonne Rainer
Feelings Are  Facts: The Life of Yvonne Rainer
Feelings Are Facts: The Life of Yvonne Rainer
Feelings Are  Facts: The Life of Yvonne Rainer
Feelings Are Facts: The Life of Yvonne Rainer
The Running Tongue
The Running Tongue
Narcissus
Narcissus
Narcissus
Narcissus
Pas de deux
Pas de deux
Pas de deux
Pas de deux
Lock
Lock
Lock
Lock
Louise Lecavalier: Body Speech
Louise Lecavalier: Body Speech
Louise Lecavalier: Body Speech
Louise Lecavalier: Body Speech
ORA
ORA
ORA
ORA
Curtain of Eyes
Curtain of Eyes
Curtain of Eyes
Curtain of Eyes
Round
Round
Round
Round
Tracing a Vein
Tracing a Vein
Tracing a Vein
Tracing a Vein
A Heretic's  Primer on Love & Exertion: 29 incidents of dual consequence
A Heretic's Primer on Love & Exertion: 29 incidents of dual consequence
A Heretic's  Primer on Love & Exertion: 29 incidents of dual consequence
A Heretic's Primer on Love & Exertion: 29 incidents of dual consequence

<Body+Act>

 

Special Film Screening for 2016 Multi-Arts Project, MMCA x KNCDC

 

Introduction

 

Merce Cunningham, an American modern dancer who maximized the expression of pure body language stated that dance is "always mystical like water slipping through the fingers". A German modern dancer, Pina Bausch developed the expressionist technique of Tanztheater style, a combination between dance and theater. Bausch mentioned that she had contemplated “where dance began and what we have to deliver through dance”. Yvonne Rainer is a feminist and an experimental film director and American modern dancer who pursued free and improvisatory performance apart from the existent form and style through The Mind is a Muscle(1966), and she has continued working on projects that paid attention to the interactivity between the performer and the audience. Such fundamental questions raised by the modern dancers who pioneered the integral sequence of modern dance greatly contributed to the expansion of performance form into poetic gesture of exhibition form with human body as the medium. The movement of dance transforms the space and the images of such movement arouse desire to reexamine the energy of the act, which vanishes right at the moment. In this sense, dance film is not just an effective record of a performance, but close to the landscape of moving space through the body.

MMCA Film&Video introduces various genres of films through the special film-screening program, Body+Act in connection with 2016 Multi-Arts Project. This screening program intends to examine the transformed images according to the tide of history and the historicity of performance art, which is a form of contemporary art extended from the immaterial world created by the body movements. For the dance film program, Pas de deux directed by a Canadian experimental film director, Norman Mclaren who progressed the methodology of recomposing the movements of dancers in limited space and the change in the invisible space into film, and Philippe Baylaucq’s 3D film ORA, which shot the dance movements of José Navas in infrared imaging camera will be presented. Moreover, it will also include three films produced by the collaborative work between an experimental film director, Danièle Wilmouth and the Japanese Butoh dance team that modified the form and movement of body into abstract rhythm and A Heretic's Primer on Love & Exertion: 29 incidents of dual consequence, collaborated by a dancer Trevor Martin and performance art of Kym Olsen will be aired as well. Feeling Are Facts: The Life of Yvonne Rainer, a documentary on the life of a master of minimalist dance, Yvonne Rainer and a film director by Rainer, Journey from Berlin/1971 will be introduced for the first time to the Korean audience.

The second collaborative project of a documentary director David Hinton and Laurence Oliver Award-winning choreographer Siobhan Davies, The Running Tongue, will be shown in a looped format with the theater doors open. This project has been completed with 22 choreographers who worked with an animator to create individual ‘visions’ surrounding a running figure. The film is then edited using an algorithm to create unexpected relationships. Together it creates a surreal sense of contemporary urban experience, making the entire theater into an exhibition space.

A performance artist, painter and sculptor, Stuart Brisley collaborated with film director, Ken McMullen for the work, Being and Doing. This film speaks about performance art that compares the relationship of anti-cultural power and gesture challenging the social taboo by intercrossing several performance footages from 1979 to 1983 along with the origin of performance art in connection to folk culture.


The meeting of contemporary art and contemporary dance regenerates the lost time of existence and act through cinema. The movement of a dancer is visually unfolded before our eyes and the space becomes vanished before our eyes to implicate the various time and layers of the world. Body+Act of MMCA Film&Video will present the works of different artists who revive these vanishing points.


 

※ 《Body+Act》 Screening Schedule Download

※ 《Body+Act》 Brochure Download

  • Period
    2016-07-27 ~ 2016-08-07
  • Organized by/Supported by
    MMCA
  • Venue
    Seoul MMCA Film and Video
  • Admission
    4,000won(Tickets for all exhibition at MMCA Seoul)
  • Artist
    Yvonne Rainer, Norman Mclaren, Danièle Wilmouth, Siobhan Davies & David Hinton, Ken McMullen & Stuart Brisley, Philippe Baylaucq, Louise Archambault
  • Numbers of artworks