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MMCA Lee Kun-hee Collection: Monet, Picasso and the Masters of the Belle Epoque

  • 2022-09-21 ~ 2023-05-14
  • Gwacheon 1F, Circular Gallery 1

Exhibition Overview

MMCA Lee Kun-hee Collection: Monet, Picasso and the Masters of the Belle Epoque
Paul Gauguin, ‹Crane on the Banks of the Seine›, 1875, oil on canvas, 77.2×119.8cm
Paul Gauguin, ‹Crane on the Banks of the Seine›, 1875, oil on canvas, 77.2×119.8cm
Camille Pissarro, ‹The Cereal Market in Pontoise›, 1893, oil on canvas, 46.5×39cm
Camille Pissarro, ‹The Cereal Market in Pontoise›, 1893, oil on canvas, 46.5×39cm
Claude Monet, ‹The Water-Lily Pond›, 1917-1920, oil on canvas, 100×200.5cm
Claude Monet, ‹The Water-Lily Pond›, 1917-1920, oil on canvas, 100×200.5cm
Pierre-Auguste Renoir, ‹Andrée in Yellow Turban and Red Skirt(Reading)›, 1917-1918, oil on canvas
Pierre-Auguste Renoir, ‹Andrée in Yellow Turban and Red Skirt(Reading)›, 1917-1918, oil on canvas
Joan Miró, ‹Painting›, 1953, oil on canvas, 96×376cm ⓒSuccessióMiró/ADAGP, Paris - SACK, Seoul, 2022
Joan Miró, ‹Painting›, 1953, oil on canvas, 96×376cm ⓒSuccessióMiró/ADAGP, Paris - SACK, Seoul, 2022
Pablo Picasso, ‹Jacqueline at the Easel›, 1956, ⓒ 2022 - Succession Pablo Picasso - SACK (Korea)
Pablo Picasso, ‹Jacqueline at the Easel›, 1956, ⓒ 2022 - Succession Pablo Picasso - SACK (Korea)
Pablo Picasso, ‹Bull›, 1955, 30x18x22cm, ⓒ 2022 - Succession Pablo Picasso - SACK (Korea)
Pablo Picasso, ‹Bull›, 1955, 30x18x22cm, ⓒ 2022 - Succession Pablo Picasso - SACK (Korea)
Pablo Picasso, ‹Black Face›, 1948, 41x41x4cm ⓒ 2022 - Succession Pablo Picasso - SACK (Korea)
Pablo Picasso, ‹Black Face›, 1948, 41x41x4cm ⓒ 2022 - Succession Pablo Picasso - SACK (Korea)
Pablo Picasso, ‹Large Bird, Black Face›, 1951,  ⓒ 2022 - Succession Pablo Picasso - SACK (Korea)
Pablo Picasso, ‹Large Bird, Black Face›, 1951, ⓒ 2022 - Succession Pablo Picasso - SACK (Korea)

The special exhibition MMCA Lee Kun-hee Collection: Monet, Picasso, and the Masters of the Belle Epoque introduces seven paintings by Camille Pissarro, Claude Monet, Joan Miró, Marc Chagall, Paul Gauguin, Pierre-Auguste Renoir, and Salvador Dalí together with ninety ceramic works by Pablo Picasso from the Lee Kun-hee collection donated to the National Museum of Modern and Contemporary Art, Korea (MMCA) in 2021. These artists were all great masters who came together in the art hub of Paris as mentors and mentees, older and younger artists, and colleagues. They supported each other’s growth and greatly advanced the development of Western art in the twentieth century. This exhibition is designed to expand the appreciation of the works of these eight masters by focusing on the diverse relationships they fostered in Paris. Moreover, it intends to explore both the correlations between the paintings and their links to Picasso’s ceramics. The exhibition invites visitors to experience these beautiful moments of friendship and mutual respect that took place in Paris.

  • 作家
    Camille Pissarro, Claude Monet, Joan Miró, Marc Chagall, Paul Gauguin, Pierre-Auguste Renoir, Salvador Dalí
  • 作品数
    Artworks Paintings & Ceramics 97

展示ガイド

#1. Introduction Welcome visitors. Thank you for visiting to the special exhibition MMCA Lee Kun-hee Collection: Monet, Picasso, and the Masters of the Belle Epoque at MMCA Gwacheon. This Exhibition introduces seven paintings by Camille Pissarro, Claude Monet, Joan Miró, Marc Chagall, Paul Gauguin, Pierre-Auguste Renoir, and Salvador Dalí together with ninety ceramic works by Pablo Picasso from the Lee Kun-hee collection donated to the National Museum of Modern and Contemporary Art, Korea (MMCA) in 2021. These artists were all great masters who came together in the art hub of Paris as mentors and mentees, older and younger artists, and colleagues. They supported each other’s growth and greatly advanced the development of Western art in the twentieth century. This exhibition is designed to expand the appreciation of the works of these eight masters by focusing on the diverse relationships they fostered in Paris. Moreover, it intends to explore both the correlations between the paintings and their links to Picasso’s ceramics. The exhibition invites visitors to experience these beautiful moments of friendship and mutual respect that took place in Paris.
Introduction

1.Introduction

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